13 Songs, 47 Minutes

EDITORS’ NOTES

The second and final studio album from Australia’s Birthday Party remains one of post-punk’s most enduring collections. Released in 1982 to a small, rabid cult, it’s become a touchstone for musicians and fans the world over. While singer Nick Cave channeled the mania of a religious conversion party and the shudder of an ancient blues holler with his graphic, cut-‘n’-paste lyric snippets and untutored howl, the band found a revolutionary groove. At times only Tracy Pew’s rock-solid bass lines hold things together. Elsewhere, the band caterwauls into chaos. Drummer Phil Calvert vacillates between hypnotic tribal rhythms and disruptive Captain Beefheartian jabs that deliberately upset the balances. Guitarists Rowland S. Howard and Mick Harvey veer from squeaky atonal blasts to rumbling, mutated rockabilly-surf riffs. The sneaky, spy-movie stalk of “Several Sins”, the boom-crash wreckage of “Big-Jesus-Trash-Can”, the lurching desperation of “She’s Hit", and the relentless pummel of “Hamlet (Pow, Pow, Pow)” combine for some of the era’s most physically punishing music.

EDITORS’ NOTES

The second and final studio album from Australia’s Birthday Party remains one of post-punk’s most enduring collections. Released in 1982 to a small, rabid cult, it’s become a touchstone for musicians and fans the world over. While singer Nick Cave channeled the mania of a religious conversion party and the shudder of an ancient blues holler with his graphic, cut-‘n’-paste lyric snippets and untutored howl, the band found a revolutionary groove. At times only Tracy Pew’s rock-solid bass lines hold things together. Elsewhere, the band caterwauls into chaos. Drummer Phil Calvert vacillates between hypnotic tribal rhythms and disruptive Captain Beefheartian jabs that deliberately upset the balances. Guitarists Rowland S. Howard and Mick Harvey veer from squeaky atonal blasts to rumbling, mutated rockabilly-surf riffs. The sneaky, spy-movie stalk of “Several Sins”, the boom-crash wreckage of “Big-Jesus-Trash-Can”, the lurching desperation of “She’s Hit", and the relentless pummel of “Hamlet (Pow, Pow, Pow)” combine for some of the era’s most physically punishing music.

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About The Birthday Party

The Birthday Party were one of the darkest and most challenging post-punk groups to emerge in the early '80s, creating bleak and noisy soundscapes that provided the perfect setting for vocalist Nick Cave's difficult, disturbing stories of religion, violence, and perversity. Under the direction of Cave and guitarist Rowland S. Howard, the band tore through reams of blues and rockabilly licks, spitting out hellacious feedback and noise at an unrelenting pace. As the Birthday Party's career progressed, Cave's vision got darker and the band's songs alternated between dirges to blistering sonic assaults.

Originally, the Australian band was called the Boys Next Door, comprising Cave, Howard, Mick Harvey (guitar, drums, organ, piano), bassist Tracy Pew, and drummer Phill Calvert. After the Door Door album and Hee Haw EP under that name, the band moved to London and switched its name to the deceptively benign Birthday Party. Once they arrived in Britain, their demented, knotty post-punk began to gel. They released their first international album, Prayers on Fire, in 1981, earning critical praise in the U.K. and U.S. While the band was preparing to record the follow-up, Pew was jailed for drunk driving; former Magazine member Barry Adamson, Harry Howard, and Chris Walsh filled in for the absent Pew on 1982's Junkyard.

After the release of Junkyard, the Birthday Party fired Calvert and moved to Germany, where they began collaborating with such experimental post-punk acts like Lydia Lunch and Einstürzende Neubauten. Harvey left in the summer of 1983. The group briefly continued with drummer Des Heffner, but it soon disbanded after a final concert in Melbourne, Australia. Cave had the most successful solo career, recording a series of albums in the '80s and '90s that maintained his status as a popular cult figure; Harvey joined Cave's backing band, the Bad Seeds. Howard joined Crime & the City Solution, which also featured his brother Harry and Harvey. ~ Stephen Thomas Erlewine

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