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Lemonade And Burns

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Album Review

Inevitably, any genre of music will have its traditionalists and its innovators. Irish/Celtic music is no different—there are still plenty of Irish artists who play traditional jigs, reels and airs the way their great grandparents played them, and there are others who are committed to forging ahead and pointing Irish/Celtic music in new directions. One such Celtic band is Kíla, whose Lemonade and Buns combines Irish/Celtic music with elements of African, Middle Eastern and East European music. While Kíla essentially comes from the Irish school of Celtic music (as opposed to the Scottish or Breton schools), this CD is hardly oblivious to the Celtic sounds of Scotland. And much to its credit, Kíla makes such experimentation sound organic and logical rather than unnatural or forced. There's a definite freshness to Lemonade and Buns, which won't appeal to Celtic purists but is enthusiastically recommended to anyone who is seeking something fresh and challenging from Celtic music.


Genre: World

Years Active: '90s, '00s

Celtic pop group Kila formed in Dublin in 1987, originally comprised of vocalist/bodhrán player Rónán Ó Snodaigh, his multi-instrumentalist brother Rossa, and uilleann piper Eoin Dillon. The schoolmates soon welcomed another Ó Snodaigh sibling, flutist Colm, and began busking throughout the Dublin area; a series of other members passed through Kila's ranks before the lineup finally solidified with the additions of fiddler Dee Armstrong, guitarist Lance Hogan, and his bassist brother, Brian. Debuting...
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Lemonade And Burns, Kila
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