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Megiddo

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Album Review

It is unfortunate that Lauren Hoffman's debut was released in the mid-'90s. Record companies, after witnessing the success of Sarah McLachlan and her Lilith Fair, signed just about every female singer/songwriter in the United States. Megiddo obviously got lost in the shuffle. What is disappointing about that fact is that not only is Megiddo a better album than a lot of the other Lilith wave artists, but it's better than a lot of releases in general. From the moody opener "Blood" to the last track, "Ashram Song," Hoffman touches on a wide selection of styles and rhythms. She is adept at time changes, has a strong sense of melody, and her voice has a range that allows her to rise above the balladeering that tainted most of the Lilith releases. Part of the charm of this disc is the fact that there is no one style exploited here. Multiple styles and ideas are used, from folk to rock to torch songs, and she glides from stone to stone without missing a step. A strong debut, Megiddo gives the listener little doubt of Hoffman's songwriting and performing talents.

Biography

Genre: Pop

Years Active: '90s, '00s, '10s

Bright, precocious singer/songwriter Lauren Hoffman jammed a whole lot of life experience into the 17 years of her life before she began playing in a band. Raised by a musical family on a farm in rural Virginia (and for a time in an ashram), she began interning in high school for the then nearly famous Dave Matthews at his label/merchandising company, Bama Rags. There she met Shannon Worrell, who had an independent album out that Bama Rags...
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Megiddo, Lauren Hoffman
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