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Stankonia

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iTunes Review

Who else but rap’s most fearlessly creative duo could open their biggest album with a bonfire of American dreams? Outkast’s fourth LP may have launched them into the mainstream, but there’s nothing safe about it: Even its most populist track, “Ms. Jackson”, is a glitchy, galactic soul number about a messy divorce. The collection is peppered with slo-mo funk cuts (“Toilet Tisha”), neo-soul steppin’ anthems (“Humble Mumble”) and political drum ’n’ bass rap (“B.O.B.”). There is no genre, no “mainstream versus underground”—there is only groove.

Biography

Formed: 1992 in Atlanta, GA

Genre: Hip-Hop/Rap

Years Active: '90s, '00s, '10s

OutKast's blend of gritty Southern soul, fluid raps, and the low-slung funk of their Organized Noize production crew epitomized the Atlanta wing of hip-hop's rising force, the Dirty South, during the mid to late '90s. Along with Goodie Mob, OutKast took Southern hip-hop in bold and innovative directions: less reliance on aggression, more positivity and melody, thicker arrangements, and intricate lyrics. After Dré and Big Boi hit number one on the rap charts with their first single, "Player's Ball,"...
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Stankonia, Outkast
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