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Under the Sign of Cain

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Album Review

Miguel Bose recorded Under the Sign of Cain in London, using not only British producers and musicians but also taking advantage of the city's rich multicultural musical heritage. The result was a polished, very well-crafted album of Europop with many world music influences — not just the flamenco of Bose's native Spain, but also Arabic and African music as well. "They're Only Words" or the title track would fit in with any of Bryan Ferry's solo albums. "Home," the album's centerpiece track, mixes African singing with lovely pop melodies and Bose's best singing. Throughout the album, Bose shows himself to be a polished, elegant singer with a warm, supple voice and without any overbearing mannerisms that mar too many other pop balladeers. Some of the tracks are a bit too slight to stand up, and others go on for a bit too long, but for the most part, this is a fine introduction to Bose's work. ~ Victor W. Valdivia, Rovi


Born: 03 April 1956 in Panama City, Panama

Genre: Pop in Spanish

Years Active: '70s, '80s, '90s, '00s, '10s

Miguel Bosé has been a force in Latin music in a career that has spanned dozens of albums and film roles, his own television show, and work as a theater director. The son of an actress (Lucia Bosè) and a bullfighter (Luis Miguel Dominguín), Bosé grew up in the arts -- with Picasso and Ernest Hemingway among his family friends. He often traveled from his homeland of Panama to Milan, New York, London, Paris, and Madrid. He made his film debut at the age of 15, and at age 21, he began his singing...
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Under the Sign of Cain, Miguel Bosé
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