iTunes

Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Obliquities by Evan Parker & Barry Guy, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Open iTunes to preview, buy and download music.

Album Review

This is a wonderful duet date by two of the longest-running partners of the British vanguard music scene. First playing together in 1967 and infrequently through and after the foundation of Guy's London Composers Orchestra, which Parker remained a member of, through the '80s and '90s the pair saw their paths cross more frequently than Orchestra dates and sessions. This recording from 1994 finds the duo in fine form and extrapolating on the ideas they explore with Paul Lytton in their long-running trio. Here are new and different contexts for free improvisation as the duo expresses themselves dynamically and timbrally. Guy in particular seems bent on discovering in each exercise just what the bass itself is capable of, and his reactions are always those in which the bass speaks to the particular issue laid out by Parker's saxophones and then moves out a step further until retrenchment is necessary. For Parker's part, on most of the tracks here, especially "Marxbruder," "Belaqua," and "Punta Rversa," his playing is less external, it is focused on the timbral qualities made possible by Guy's playing and explores the softer edge of his improvisational palette. There are moments here when listeners can hear the voice of silence itself singing, and others where silence is punctured by only the most carefully made sounds, while still at others, silence is left to fend for itself as the emotions and the music come to a furied, mischievous pitch.

Biography

Born: 05 April 1944 in Bristol, England

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Among Europe's most innovative and intriguing saxophonists, Evan Parker's solos and playing style are distinguished by his creative use of circular breathing and false fingering. Parker can generate furious bursts, screeches, bleats, honks, and spiraling lines and phrases, and his solo sax work isn't for the squeamish. He's one of the few players not only willing but eager to demonstrate his affinity for late-period John Coltrane. Parker worked with a Coltrane-influenced quartet in Birmingham in...
Full bio