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The Lost Album

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Album Review

Like his genius cohort Lindsey Buckingham, who again helps out here, Egan is an infinitely talented oddball, but also such a consummate professional that his lofty tunes sometimes slide right through the public consciousness. Thus, his songs are more successful covered by other acts (Gram Parsons, Night), just as Buckingham benefits from the contrast of Stevie Nicks and Christine McVie (who also makes an appearance). Musically, the '80s are not very fondly remembered, and West Coast class fell out of vogue in the '70s, but this unreleased record from 1985 delivers well-crafted sophisti-pop which is, of course, very easy to digest. The term "Spielberg sky" from the very cool "Invisible Man" descries the inaccessibility of Egan's almost too-perfect ditties: high quality but sometimes too deceptively clear. This tune also drops an autobiographical Dangerfield reference. The remainder of the release renders further study in the cynical Californication of this former East-Coaster. Besides Egan's disdain for label politics snaking subtly through the lyrics, a weary personal disenchantment creeps to the surface. Egan dedicates The Lost Album to the spirit of Randy California, and one cut, "Silvery Sleep" (an Elvis Presley anagram), laments a friend's suicide. In "Loneliest Boy," Buckingham cannibalizes his own acoustic finger-work from "Never Go Back Again," as Egan did indeed drop out for more than a decade (excepting a singular, unobtrusive return to his surf roots on A Malibu Kind of Christmas).


Born: 12 July 1948 in Jamaica, NY

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

Best remembered for "Magnet and Steel," his smooth singer/songwriter smash from 1978, pop singer/songwriter Walter Egan was born July 12, 1948 in Jamaica, New York. Alongside guitarist John Zambetti, he first surfaced in a surf rock band dubbed the Malibooz, which earned a devoted local following and even performed at the 1964 New York World's Fair. Relocating to Washington, D.C., Egan and Zambetti re-teamed in the folk-rock group Sageworth and Drums, a product of the same fertile D.C. scene that...
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The Lost Album, Walter Egan
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