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Memphis Slim U.S.A.

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Album Review

Memphis Slim's classic United label sessions from 1954 comprise this exceptional document of the master pianists work: 19 of the some 30 tracks he waxed during four sessions, and very well-produced, considering the time frame. A 24-year-old Matt "Guitar" Murphy contributes mightily, tenor saxophonists Neil Green and Jimmy Conley smoothly fill in the cracks, and bassist Henry Taylor and drummer Otto Allen keep thing nicely swinging along. As a blues pianist, Slim is in a class by himself. His tinklings, jazzy affectations, and distinct chordal punctuations are the mark of a true master. His singing is equally robust, occasionally wailin', but mostly in a storytellers' mode. Many of the tunes are old warhorses: "Blues All Around My Head" has two takes, one with unedited studio banter; "Blue and Lonesome" has more squawking before the slow melody line, while "Wish Me Well" is a patient boogie, if there is such a thing. Slim excels on loping, half-shuffles with horn complement, as on "Sassy Mae," "Two of a Kind," and the killer "Four Years of Torment." He plays celeste on another three, the hard swinging "Got to Find My Baby," and twelve-bar on "She's Alright" in the second take. At their roughest on "Slim Was Just Kiddin'," they can't decide what to do, settling on "Shake, Rattle & Roll." The T-Bone Walker influence definitely comes out for Murphy's instrumental features on the easygoing "Jive Time Bounce," and the out-and-out "Backbone Boogie." The calypso-informed "Banana Oil" is somewhat of an anomaly, but a delightful aside. This recording shows the complete prowess of Slim and his ability to lead a band. Murphy's spice makes it all that much tastier. A highly recommended CD, and an important historical bookmark in the career of an enduring legend of blues piano. ~ Michael G. Nastos, Rovi


Born: 03 September 1915 in Memphis, TN

Genre: Blues

Years Active: '30s, '40s, '50s, '60s, '70s, '80s

An amazingly prolific artist who brought a brisk air of urban sophistication to his frequently stunning presentation, John "Peter" Chatman -- better known as Memphis Slim -- assuredly ranks with the greatest blues pianists of all time. He was smart enough to take Big Bill Broonzy's early advice about developing a style to call his own to heart, instead of imitating that of his idol, Roosevelt Sykes. Soon enough, other 88s pounders were copying Slim rather than the other way around; his thundering...
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