Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Louis Armstrong, Vol. 4 - Louis Armstrong and Earl Hines by Louis Armstrong & Earl Hines, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Louis Armstrong, Vol. 4 - Louis Armstrong and Earl Hines

Open iTunes to preview, buy and download music.

Album Review

It can easily be argued that Louis Armstrong was at his most advanced during the 1928 recordings that featured him with the Savoy Ballroom Five. Constantly challenged by the equally adventurous pianist Earl Hines, Armstrong is consistently remarkable throughout the 18 selections that are on this CD. First there are three tracks with big bands during 1927-1928 ("Chicago Breakdown," "Symphonic Raps," and "Savoyagers' Stomp") that also include Hines; then the chronology picks up where Vol. 3 left off. The startling "West End Blues" (with its classic trumpet cadenza) was always Armstrong's personal favorite recording, "Weather Bird" is a hair-raising duet with Hines, and other highlights include "Sugar Foot Strut," "Beau Koo Jack," and the earliest recorded versions of "Basin Street Blues" and "St. James Infirmary." Although the other musicians in the Savoy Ballroom Five (trombonist Fred Robinson, Jimmy Strong on clarinet and tenor, banjoist Mancy Cara, and, for some selections, Don Redman on clarinet and alto) is excellent, it is the interplay between Hines, drummer Zutty Singleton, and Satch that really makes the music classic. The first four volumes in this series are essential for all serious jazz collections.


Born: 28 December 1905 in Duquesne, PA

Genre: Jazz

Years Active: '20s, '30s, '40s, '50s, '60s, '70s, '80s

Once called "the first modern jazz pianist," Earl Hines differed from the stride pianists of the 1920s by breaking up the stride rhythms with unusual accents from his left hand. While his right hand often played octaves so as to ring clearly over ensembles, Hines had the trickiest left hand in the business, often suspending time recklessly but without ever losing the beat. One of the all-time great pianists, Hines was a major influence on Teddy Wilson, Jess Stacy, Joe Sullivan, Nat King Cole, and...
Full bio

Top Albums and Songs by Earl "Fatha" Hines

Listeners Also Bought

Louis Armstrong, Vol. 4 - Louis Armstrong and Earl Hines, Earl "Fatha" Hines
View in iTunes

Customer Ratings

We have not received enough ratings to display an average for this album.


Influenced by this Artist