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Reseña de álbum

Modern day blues-rock bands tend to blur into each other like cocktails on a Saturday night. As the audience revels in the familiarity of the sounds emanating from the stage with a detached tapping of the foot that occasionally veers into a slow head nod during a particularly fiery solo, the modern electric blues itself suffers the kind of pedestrian fate that's usually reserved for '50s novelty acts, trading smoky juke joints for small town gazebos on a quiet Sunday afternoon with nary a hint of protest. This is not the case for the ballsy Southeastern Michigan collective Big B and the Magic Bullets, a six-piece army of veteran Great Lakers with a penchant for power, passion, and precision that peppers their volatile, shot-glass adorned debut with enough auditory bullet holes to scare the devil back into the genre. Backed by a ferocious rhythm section, sax, harmonica and organ, bandleader/guitarist/vocalist Brian Burleson (Big B) has managed to blend the cocky, whiskey-fueled bravado of Stevie Ray Vaughan ("Be Cool,") the sleeveless, tattooed majesty of Brian Setzer ("Stunt"), and the moody elegance of David Gilmour ("About to Get Evil") into a late-night beast of a record that's full of brand new standards that dare the toe-tappers and head-nodders of the world to get up off their asses and throw down.


Género: Blues

Años de actividad: '00s

Genre bending Motor City blues collective Big B and the Magic Bullets serve up an eclectic mix of jazz, soul, and psychedelic blues-rock that challenges any preconceived notions of what a classic bar band should sound like. The Detroit area sextet, led by founder guitarist/vocalist Brian Burleson (Big B), boasts the talents of harmonica player/vocalist Jezter Detroit, drummer Erin Pitman, keyboardist Chuck Vermeulen, bass player Doug Hise, and saxophone player Dave Daniele....
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11 Shots, Big B and the Magic Bullets
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