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Free - D (original Soundtrack)

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Reseña de álbum

Free-D (Original Soundtrack) exists in a kind of musical limbo — while it possesses elements of everything from ambient techno to dream pop to new age, it refuses to adhere to any strict sonic definition for too long. For one, the reliance on live instruments like cellos and flutes lends the Ecstasy of Saint Theresa's soundscapes a distinctly human pulse, but at the same time the music is clearly electronic in structure and design, textured by droning keyboard washes and synthetic rhythms. Moreover, while the record's soft contours and muted hues evoke the aesthetics of ambient, it simply refuses to fade into the backdrop — the formlessness of the songs ensures that they're in seemingly constant flux, a shape-shifting fusion of spectral vocals, enigmatic samples and abstract beats. Ultimately, it's Free-D's refusal to accept easy categorization that makes it so compelling — it's a singular experience in deep listening.


Se formó en: 1992 en Czech Republic

Género: Alternativa

Años de actividad: '90s, '00s

The Czechoslovakian ambient group the Ecstasy of St. Theresa comprised vocalist/keyboardist Irna Libowitz, sound designers Jan Muchow and Petr Wegner, bassist Jan Gregar, guitarist John Moore, multi-instrumentalist Misa Klimkova, keyboardist Colin Stuart, flautist Vladimira Jestrabova and percussionist Katie Hecker. Debuting in 1993 with the EP ...fluidtrance centauri..., they returned the following year with the Guy Fixsen-produced full-length Free-D (Original Soundtrack);...
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Free - D (original Soundtrack), The Ecstasy of Saint Theresa
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