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One More for My Baby

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Reseña de álbum

After leaving RCA Victor Records in 1966, Joe Williams began performing with the recently formed Thad Jones-Mel Lewis Orchestra, which had some of the rhythmic impetus he had enjoyed with Count Basie. Contracted to Solid State Records, they cut two albums, a blues collection called Presenting Joe Williams And The Jazz Orchestra (1967) and a ballad set, Something Old, New And Blue (1968). This budget-priced compilation selects a mere four tracks from the former and 11 of the 12 tracks from the latter (the missing one is "Everybody Loves My Baby"). While a more complete collection might have been hoped for, the music is still impressive, as Williams re-lives the kind of sound he achieved with Basie and the Jones-Lewis organization proves itself an effective neo-swing unit.


Nacido(a): 12 de diciembre de 1918 en Cordele, GA

Género: Jazz

Años de actividad: '30s, '40s, '50s, '60s, '70s, '80s, '90s

Joe Williams was the last great big-band singer, a smooth baritone who graced the rejuvenated Count Basie Orchestra during the 1950s and captivated audiences well into the '90s. Born in Georgia, he moved to Chicago with his grandmother at the age of three. Reunited with his mother, she taught him to play the piano and took him to the symphony. Though tuberculosis slowed him down as a teenager, Williams began performing at social events and formed his own gospel vocal quartet, the Jubilee Boys. By...
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One More for My Baby, Joe Williams
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