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A showdown between the two players with the most comprehensive techniques in jazz — Borah Bergman and Evan Parker. As a pianist, Bergman breaks down all distinctions between the left and right hands; his style is a multi-layered counterpoint of extreme sophistication and complexity. The equally hyper-dextrous Parker comes as close as any saxophonist ever has to playing counterpoint on a single-line instrument. At full steam, Parker's soprano lines are a continuous, mercuric flow, covering all registers of the horn, segmented by his incredibly fleet and precise articulations. These players do not really complement one another — in many ways, they're just too much alike — but neither is likely to find another so technically advanced. Scary and brilliant music.

Biografía

Nacido(a): 13 de diciembre de 1933 en Brooklyn, NY

Género: Jazz

Años de actividad: '70s, '80s, '90s, '00s

Early in his career, it was typical for jazz critics to compare the extraordinary free jazz pianist Borah Bergman to Cecil Taylor. However, critics subsequently pointed out the folly in such comparisons, perpetuating the very same juxtaposition, instead of listening to Bergman abstracted from such concerns. Though Bergman himself claimed Tristano, Monk, and Powell as influences, he rated comparison with nobody, so singular was his ability as an improvising pianist. Bergman had perhaps the most comprehensive...
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One More Time, Borah Bergman
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