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The Best of the Art of Noise

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Reseña de álbum

As an overview of Art of Noise's brief output, this best-of can't be beat, though it does inadvertently track their slide from forerunners to recyclers and cultural panderers. The 1-2-3 rush of "Beat Box," "Moments in Love," and "Close (To the Edit)" make this CD worth the money already — at the time of their release, these singles swiped electronic music back from America (by way of Germany) and cut the whole thing up with ridiculous samples (a car starting, the omnipresent orchestral hit) and enjoyable art school posturing. It was like Dada had invaded the charts, circa 1984. But soon, after their break with ZTT and joining China Records, it wasn't long until they were parodying themselves and trying to score pop hits with a recognizable "sound." Singles featured older pop stars trying to score a hit again (Duane Eddy on "Peter Gunn," Tom Jones on "Kiss"), current celebrities riding their own popularity wave (Max Headroom), or cover songs gussied up with a few more car starting sounds (the made-for-hire "Dragnet '88," used in the regrettable film remake). The vinyl version contains the (sometimes preferable) single mixes; the CD and cassette contain 12" remixes, good for the collector, bad on the patience. A similarly covered CD, only in pink (and released two years later), is also called "The Best Of" but focuses more on the group's album tracks.

Biografía

Se formó en: 1982 en London, England

Género: Electrónica

Años de actividad: '80s, '90s, '00s

Anne Dudley, Gary Langan, and Paul Morley were members of producer Trevor Horn's in-house studio band in the early '80s before they formed the Art of Noise, a techno-pop group whose music was an amalgam of studio gimmickry, tape splicing, and synthesized beats. The Art of Noise took material from a variety of sources: hip-hop, rock, jazz, R&B,...
Biografía completa
The Best of the Art of Noise, Art of Noise
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