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Reseña de álbum

Mayo Thompson has expressed bemusement at the constant categorization of his work as "quirky." Hazel, however, will do nothing to stem the tide of that adjective showing up in reviews such as this one. The Red Krayola do not seem interested nearly as much in connecting disparate styles as jumbling them. So you'll hear a languid, Lou Reedish drone segue into a John Faheyish guitar pattern backed by weird female vocals, and then a light reggaeish thing about Christian soldiers marching onward. The lyrics are not constructed to make a point, but to reflect the rhythm and fragmented patterns of everyday thought and conversation. It's interesting, but too nonchalantly strange to evoke a passionate response.


Se formó en: 1966 en Houston, TX

Género: Alternativa

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

One of the longest-lived underground rock groups (if not the longest-lived), the Red Krayola lasted through the birth pangs of psychedelia past the death throes of post-punk. The one constant in their ever-shifting lineup has been principal singer/songwriter/visionary Mayo Thompson, who has seemed as concerned with deconstructing the language of "rock" music as with actually expressing himself within it. That has made the Red Krayola's catalog challenging, often difficult listening. The saving grace...
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