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Fire Music

Archie Shepp

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Reseña de álbum

This particular early Archie Shepp recording has its strong moments, although it is a bit erratic. Four selections utilize an advanced sextet. Of these songs, "Hambone" has repetitive riffing by the horns behind the soloists, and Shepp's bizarre exploration of "The Girl from Ipanema" gets tedious, but the episodic "Los Olvidaos" is quite colorful, and the tenorman sounds fine on a spacy rendition of "Prelude to a Kiss." "Malcolm, Malcolm-Semper Malcolm" has Shepp reading a brief poem for the fallen Malcolm X before he jams effectively on tenor in a trio with bassist David Izenzon and drummer J.C. Moses. Overall, this set, even with its faults, is recommended. [Some reissues are rounded out by a bonus cut, a live version of "Hambone" that is much more interesting than the earlier rendition.]

Biografía

Nacido(a): 24 de mayo de 1937 en Fort Lauderdale, FL

Género: Jazz

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

Archie Shepp has been at various times a feared firebrand and radical, soulful throwback and contemplative veteran. He was viewed in the '60s as perhaps the most articulate and disturbing member of the free generation, a published playwright willing to speak on the record in unsparing, explicit fashion about social injustice and the anger and rage he felt. His tenor sax solos were searing, harsh, and unrelenting, played with a vivid intensity. But in the '70s, Shepp employed a fatback/swing-based...
Biografía completa