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The Hoople

Mott the Hoople

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Reseña de álbum

Mott was so good that the sequel, appropriately named The Hoople, has been unfairly dismissed as not living up to the group's promise. Yes, it doesn't compare to its predecessor, but most records don't. The bigger problem is that Mick Ralphs chose to leave during the supporting tour for Mott, leaving Ian Hunter as the undisputed leader of the group and subtly changing the character of the band's sound. Even with Hunter as Mott the Hoople's main songwriter, Ralphs helped shape their musical direction, so without a collaborator in hand, Hunter was left without a center. So, it isn't surprising that the record seems a little uneven, both in terms of songwriting and sound, but it's hardly without merit. "Roll Away the Stone," a leftover from Mott, is first-rate; "Crash Street Kidds" rocks viciously; "The Golden Age of Rock & Roll" is a pleasant spin on Bowie-esque nostalgia (think "Drive-In Saturday"); and Overend Watts follows through on that theme with "Born Late '58," a perfectly credible rocker. This all makes The Hoople an entertaining listen, even if it doesn't compare to Mott's earlier masterpieces. [A 2004 reissue via Sony International included the bonus tracks "Where Do You All Come From?," "Rest in Peace," and "Foxy Foxy."]

Biografía

Se formó en: 1969 en London, England

Género: Rock

Años de actividad: '60s, '70s

Mott the Hoople are one of the great also-rans in the history of rock & roll. Though Mott scored a number of album rock hits in the early '70s, the band never quite broke through into the mainstream. Nevertheless, their nasty fusion of heavy metal, glam rock, and Bob Dylan's sneering hipster cynicism provided the groundwork for many British punk bands, most notably the Clash. At the center of Mott the Hoople was lead vocalist/pianist Ian Hunter, a late addition to the band who developed into...
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The Hoople, Mott the Hoople
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