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Billed as the "Lee Konitz Terzet" (without ever defining what "Terzet" is), this fine trio set features Konitz on alto, tenor, soprano and even a vocal, plus pianist Harold Danko and bassist Jay Leonhart. Konitz states in the liner notes that "we played in a club for one week and found a way to create nice instant arrangements on familiar tunes..." That pretty well describes this music, for even the so-called originals by the trio have a close relationship to a familiar standard. The repertoire is certainly a bit offbeat for these modernists, particularly such songs as "I Want to Be Happy," "Sweet Georgia Brown" and "Penthouse Serenade," but the musicians come up with fresh statements on all of the tunes. A continually interesting set, like most of Lee Konitz's recordings.


Nacido(a): 13 de octubre de 1927 en Chicago, IL

Género: Jazz

Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s, '00s, '10s

One of the most individual of all altoists (and one of the few in the 1950s who did not sound like a cousin of Charlie Parker), the cool-toned Lee Konitz has always had a strong musical curiosity that has led him to consistently take chances and stretch himself, usually quite successfully. Early on he studied clarinet, switched to alto, and played with Jerry Wald. Konitz gained some attention for his solos with Claude Thornhill & His Orchestra (1947). He began studying with Lennie Tristano, who...
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Dovetail, Lee Konitz
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