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The Real Ramona

Throwing Muses

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Reseña de álbum

The Real Ramona marked the perfect balance of Throwing Muses' angular songwriting and latent pop tendencies. Where Hunkpapa tried, somewhat unsuccessfully, to mix these elements, this album succeeds with surreal pop songs like "Counting Backwards" and "Red Shoes." They're catchy and riveting, clearly linked to the band's early material yet more focused and accessible. "Graffiti" and "Two-Step" are two of Kristin Hersh's most appealing pop snippets, but dark, uncompromising tracks like "Say Goodbye," "Ellen West," and "Hook in Her Head" reaffirm that she can still write troubling, fascinating songs like nobody else. And just before she left the Muses to form Belly, Tanya Donelly finally arrived as a full-fledged songwriter with the giddy, gleeful "Not Too Soon" and "Honeychain," proving that she could be a charming foil to Hersh's more challenging style. Their final album as a quartet, The Real Ramona highlights the best points of the group's sound, making it a great starting point for new Throwing Muses fans.

Biografía

Se formó en: 1983 en Providence, RI

Género: Alternativa

Años de actividad: '80s, '90s, '00s

One of the greatest college bands of the '80s, Throwing Muses was formed in 1983 by guitarist/vocalist Kristin Hersh and her half-sister guitarist/vocalist Tanya Donelly with a few friends from high school. In 1986, the group's debut album was put out by the prestigious British label 4AD; Throwing Muses was the first American band to be released on that label. Throwing Muses' angular, anguished, mercurial sound had much to do with Hersh's mental illness (she suffered from a form of bipolarity that...
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