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The Science of Things

Bush

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Reseña de álbum

For their third album, The Science of Things, Bush returned to Clive Langer and Alan Winstanley, the Madness producers who helmed Sixteen Stone, but along the way, they fell out with the duo. Rossdale claimed the two were only credited on the album for legal reasons, and that the real work was done by the band with engineer Tom Elmhirst, which is probably true, since it's slicker than Razorblade Suitcase but doesn't glisten like Stone. Science is carefully crafted and sequenced, flowing nicely from hard rockers to power ballads, and it plays better than the disjointed Razorblade Suitcase due to studiocraft, since the measured, detailed production fleshes out songs held together by a bare minimum of hooks and melodies. Without hooks, Rossdale's emotive, gut-wrenching vocals and the band's hard, heavy delivery are all this record has to offer. Still, Bush's earnestness is unavoidable, and they're undoubtedly sincere and have delivered a professional record.

Biografía

Se formó en: 1992

Género: Alternativa

Años de actividad: '90s, '00s, '10s

Led by guitarist/vocalist Gavin Rossdale, Bush became the first post-Nirvana British band to hit it big in America. Of course, they became a hit by playing by the grunge rules — they had loud guitars, guttural vocals, stop-start rhythms, and extreme dynamics. Formed in late 1992 by Rossdale, Bush landed an American record deal before they had a British label. Sixteen Stone, their debut album produced by Clive Langer and Alan Winstanley (producers of early-'80s hits by Madness and Elvis Costello,...
Biografía completa
The Science of Things, Bush
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