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The Sound And The Fury (The Sound Track Album)

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This was one of Alex North's best jazz-based soundtracks, and that's saying a great deal, given his previous work on A Streetcar Named Desire and The Long Hot Summer. In contrast to most of the work in this soundtrack genre of the era, which grafted jazz onto standard orchestral elements, North weaves the jazz elements through the entire body of the music, including the haunting "Quentin's Theme" (which ought to have been extracted as a single from this body of music). The original 1959 Decca Records LP edition of this soundtrack was one of the more generous of the era, and the 1991 Varese Sarabande reissue offers a superb transfer of what seem to be immaculate condition master tapes, making the CD a bargain in any context.


Nacido(a): 04 de diciembre de 1910 en Chester, PA

Género: Banda sonora

Años de actividad: '50s, '60s, '70s, '80s, '90s

American composer Alex North hardly needed films to enhance his reputation. A graduate of Juilliard and the pupil of such musical heavyweights as Ernst Toch and Aaron Copland, North was responsible for the incidental music in several major Broadway productions of the 1940s, notably Death of a Salesman. He also composed for the ballet, for symphony orchestra, and even for Benny Goodman. North's earliest film work consisted of the scores for documentary films, an activity he engaged in from 1937 through...
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The Sound And The Fury (The Sound Track Album), Alex North
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