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Blues Masters: Lightnin Hopkins - You Treat Poor Lightnin' Wrong

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Pruning 16 tracks from Hopkins' extensive catalog for a best-of meant that some hard choices had to be made. The ones Rhino came up with won't satisfy everyone, but the label did take the correct road by sticking exclusively to the earliest part of his career, 1947-61. Perhaps the decision will offend some fans who feel that his 1960s and '70s work should be represented, but two things should be acknowledged. First, Hopkins, as is the case with most artists, did his most interesting recordings in the earlier part of his career. Second, as is the case with many blues artists, he did not vary his approach substantially throughout the decades. So what you have is a good assortment of his first 15 years on disc, taken from about ten labels, including both originals and covers, and placing the singer/guitarist in various instrumental contexts: with a full electric band (Sonny Terry is on a couple of 1961 cuts), as a solo guitarist, or accompanied by nothing more than a bass or additional guitarist. It's a good deal for those who want only one Hopkins disc, and for those who want a best-of that's more extensive, there's Rhino's own two-disc anthology, Mojo Hand.


Nacido(a): 15 de marzo de 1912 en Centerville, TX

Género: Blues

Años de actividad: '30s, '40s, '50s, '60s, '70s

Sam Hopkins was a Texas country bluesman of the highest caliber whose career began in the 1920s and stretched all the way into the 1980s. Along the way, Hopkins watched the genre change remarkably, but he never appreciably altered his mournful Lone Star sound, which translated onto both acoustic and electric guitar. Hopkins' nimble dexterity made intricate boogie riffs seem easy, and his fascinating penchant for improvising lyrics to fit whatever situation might arise made him a beloved blues troubadour. Hopkins'...
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