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Women & Country - EP

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Reseña de álbum

Continuing in the subdued, stripped-down direction he began with his 2008 solo debut Seeing Things, Jakob Dylan nevertheless achieves a cinematic resonance on his second record, 2010’s Women + Country. Surely, part of this is down to Dylan swapping Rick Rubin, who has made starkness almost a fetish, for the analog impressionism of T-Bone Burnett, who previously worked with the singer/songwriter on the Wallflowers 1996 breakthrough album Bringing Down the Horse. Women + Country has little to do with the sturdy, sinewy, straight-ahead rock of Bringing Down the Horse: it’s dreamy and airy, slipping in and out of focus, rootsy without being earthy. Horns swoon and stumble in the background, a string bass thumps time, Marc Ribot gently punctures the murk with his gnarled guitar, while Neko Case and Kelly Hogan add warmth with their harmonies, all creating a hazy glaze that augments with Dylan’s dry, unfussy songs. These seemingly conflicting extremes don’t result in a dissonant disconnect, but rather a subtle richness: the spareness of the songs lend themselves to these layered arrangements which in turn draw attention to Dylan’s tight, clean writing. Naturally, this means that Women + Country is somewhat of a grower — it’s so purposefully hazy it seems to pleasingly fade into the slipstream upon the first play, but those repeated spins reveal the deep craft at the heart of Women + Country, deep craft from both the songwriter, his producer, and musicians.


Nacido(a): 09 de diciembre de 1969 en New York, NY

Género: Alternativa

Años de actividad: '80s, '90s, '00s, '10s

Being the son of one of the most influential, innovative, eccentric, and unique songwriters in the history of Western pop music probably opened some doors for Jakob Dylan, but being Bob Dylan's son was just as likely a heavy load to carry as well, and the younger Dylan handled the pressure with relative élan. Born in 1969,...
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Women & Country - EP, Jakob Dylan
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