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Evolution of a Man

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Reseña de álbum

Brian McKnight's lone set of non-Christmas material for Warner Bros., 2006's Ten, peaked exactly where his previous six proper albums topped out (within the Top Five of Billboard's R&B/Hip-Hop chart), yet he finds himself on E1 (formerly Koch) for Evolution of a Man. Though he has written and produced plenty of his own material in the past, he did it all on this one, and presumably provided much of its instrumentation. It's a set that is predominantly slow, sparse, and intimate. Most of the album's last two-thirds offers familiar McKnight fare — sensitive, soothing backdrops that are at least comforting when not uplifting. Earlier on, as well as in a couple instances deeper into the album, McKnight takes some risks with tracks that contain little more than pattering percussion and twinkling keyboards; here, the sonics are more memorable than the songs, and not much of the album as a whole holds up to repeated listening. Some of McKnight's devoted fanbase will find the album rather fascinating since it's a change of pace, more a collection of loose sketches than a highly polished set.

Biografía

Nacido(a): 05 de junio de 1969 en Buffalo, NY

Género: R&B/Soul

Años de actividad: '80s, '90s, '00s, '10s

El cantante de R&B, Brian McKnight, comenzó a mezclar géneros con uno de sus primeros lanzamientos, un dueto con Vanessa Williams titulado "Love Is" y que fue presentado en Beverly Hills 90210 -lo que a continuación lo hizo trepar hasta el puesto tres en la lista de Billboard. Su propio single, "Back at One", ocupó el primer lugar en 1999, y...
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Evolution of a Man, Brian McKnight
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