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As heard on his fourth album, Harpooner, Paul Brill isn't so much a singer/songwriter as a composer, and not so much a composer as a sound collagist. He constructs his musical tracks from snatches of conventional instruments — piano, bass, oboe, English horn, cello, trumpet — larded with, as a credit for Joe Bonadio puts it, "percussion, all things beaten and broken." It all sounds like a bunch of kitchen utensils, a couple of alarm clocks, and a music box slowly tumbling down a flight of stairs. To this, Brill adds his voice, singing in a register above his natural one and occasionally breaking into falsetto, phrasing lazily in sing-song melodies as if he were just waking up from a nap. The songs lurch along to ramshackle rhythms as Brill mutters his vague, navel-gazing lyrics, until they stumble to their ends, only to be followed by more of the same.


Género: Rock

Años de actividad: '00s

New York native Paul Brill has lived a familiar story within the music business. Learning how having major-label money tossed about under one's nose can be an anchor wrapped around the spirit is part of it, as is learning how to run the business on one's own terms, kicking around Los Angeles with stars in eyes, recording demos, dissolving a promising band, etc. It started for Brill when he moved to Vermont and began writing and performing music, but he only stayed there long enough to hone his chops...
Biografía completa
Harpooner, Paul Brill
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