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Big Ones

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Reseña de álbum

Big Ones serves up the hits and nothing but the hits; Aerosmith's excellent debut for Geffen, Done with Mirrors, is conveniently overlooked. So what's left is some of the finest mainstream hard rock of the late '80s and early '90s — the fruits of one of the most remarkable comebacks in rock & roll history. Unfortunately, there's precious little of the classic Aerosmith raunch; in fact, the two new tracks are the hardest, slinkiest tracks here. Otherwise, the up-tempo tracks bog down in over-production ("Love in an Elevator"), and the frequently embarrassingly overwrought power ballads ("Angel" and "Crazy") dominate too much of the album. So what's left? The band's best stab at social commentary ("Janie's Got a Gun"), a sublime slinky throwaway ("Deuces Are Wild"), deliciously sleazy blues-rockers ("Rag Doll," "[Dude] Looks Like a Lady"), and their best ballads ("What It Takes" and "Cryin'").

Biografía

Se formó en: 1970 en Boston, MA

Género: Rock

Años de actividad: '70s, '80s, '90s, '00s, '10s

Aerosmith were one of the most popular hard rock bands of the '70s, setting the style and sound of hard rock and heavy metal for the next two decades with their raunchy, bluesy swagger. The Boston-based quintet found the middle ground between the menace of the Rolling Stones and the campy, sleazy flamboyance of the New York...
Biografía completa