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Milk and the Times That Never Were

The Press

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Reseña de álbum

On their second EP the Press, recently relocated to New York from Atlanta, comes out of the gate fast, beginning "The Kindly Woodcutter" with an enthusiastic choral part. It's a good introduction to a band with several singers, each of them distinctive. But this never sounds like different groups when someone else is at the microphone. Paolo De Gregorio gives the tracks a hot, noisy mix that manages never to bury the vocals, despite lots of loud, clashing sounds, particularly in the chiming, chopping guitars. The Press is a frisky band that plays with fervor, as if the group members are racing each other to the end of each song. This is music that sounds road-tested and at the same time serves as a heady advertisement for the band's live show. It is also sufficiently accomplished that it suggests this is an act ready to record a full-length CD.

Biografía

Se formó en: 2002 en Atlanta, GA

Género: Alternativa

Años de actividad: '00s

Formed in Boston before moving to Atlanta in 2005, spirited indie rock foursome the Press rotate vocal duties, swap instruments from song to song, and blend pop/rock with their art rock. They recorded their first two releases, the Noxious Saucy Beast EP and The Red Comes Ringin' 7", at Atlanta's Shangri-La Studios. The studio closed not long after, and engineer Will Loftin reluctantly let the Press borrow his gear to record their drum tracks to 2" tape in a friend's living room, before the group...
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Milk and the Times That Never Were, The Press
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