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The Rascals: Collections

The Rascals

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Reseña de álbum

The garage rock feel has been banished almost entirely from the group's second album, whose release followed a pair of disappointing singles ("What Is the Reason" and "Come On Up"). It also includes their first misjudgment on an album, Gene Cornish's too quiet, too introspective, and way-too-languid "No Love to Give," amid an otherwise wonderfully soulful body of music that picks up right where "In the Midnight Hour" from the prior album left off. Most of this record is among the most danceable white rock music of its period — even the Eddie Brigati-sung cover of the then-current pop standard "More" has a certain rocking credibility. Their attempt at bluesy rock & roll, Cornish's "Nineteen Fifty-Six," a bit of a "Kansas City" rip-off, with a pair of crunchy guitar parts and Cornish singing lead, also comes off extremely well. They're even better with the more soulful tracks, however. "Land of 1000 Dances" was the best track on which to end this album, but it was Cavaliere and David Brigati's "Love Is a Beautiful Thing" that pointed to the future, showing the group moving toward the mix of sounds and sentiments behind "People Got to Be Free." The CD reissue of this album (originally on Atlantic) has no notes but very good sound.

Biografía

Se formó en: 1964 en New York, NY

Género: Rock

Años de actividad: '60s, '70s

The Rascals, along with the Righteous Brothers, Mitch Ryder, and precious few others, were the pinnacle of '60s blue-eyed soul. The Rascals' talents, however, would have to rate above their rivals, if for nothing else than the simple fact that they, unlike many other blue-eyed soulsters, penned much of their own material. They also proved more adept at changing with the fast-moving times, drawing much of their inspiration from British Invasion bands, psychedelic rock, gospel, and even a bit of jazz...
Biografía completa
The Rascals: Collections, The Rascals
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