Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de [?], descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC


Ver en iTunes

Para escuchar en vista previa una canción, pasa el ratón sobre el título y haz clic en reproducir. Abre iTunes para comprar y descargar música.


Gospel purists may feel that what was done to the Charioteers is something like trying to turn a chariot into a Corvette. The black gospel group, newly transformed into a vocal pop group by enterprising record company executives, failed to turn the desired commercial quarter with the momentum of the Ink Spots. An early vehicle for lead tenor Billy Williams, who would have an even more successful career on his own, the Charioteers left behind a respectable recorded legacy nonetheless in both the gospel and pop genres. The group was first formed in Ohio in 1930, and by 1937 had settled into a vocal lineup of Williams, second tenor Ed Jackson, baritone Ira Williams, and bass Howard Daniels, with piano accompanist Jimmy Sherman. Opportunities to record began after the group vanquished all contenders in a Ohio quartet contest in 1934, most notably getting a chance to cut a pair of songs for Decca that was part of the contest prize. Vocalion began actually paying the group to record several years later, resulting in a fine collection of black gospel material including jubilees, spirituals, and folk tunes such as "Wade in the Water" and "Ezekiel Saw de Wheel." The Charioteers continued in this direction until signing a contract with Columbia in 1940.

The mega-label that would later tell Bob Dylan to ditch the Christian music or take a hike needed a commercial rival for the Ink Spots, who at that time were under contract to Decca. In terms of this rivalry, Williams and his group wound up like some of the chariots with shattered wheels in the climactic scenes of Ben Hur. Fortunately, however, this was the music business and not a Roman chariot race, with enjoyable victories to be savored by participants throughout the race. For the Charioteers, these began with the group's 1940 recording of Russ Morgan's song "So Long" and continued through six more chart hits. The group was also heard on the radio backing other vocal stars, including Bing Crosby and Frank Sinatra. In comparison, the Ink Spots had some 36 hits during the same time period and was the first name on the list for studio backup singing.

The Charioteers appeared regularly on network radio, most notably Crosby's show. The group also made appearances in motion pictures and toured in the musical revue Hellzapoppin'. "On the Boardwalk in Atlantic City" was a hit record for the group in 1946. "Open the Door, Richard" was such a smash novelty song the following year that six different artists had versions on the charts, including the Charioteers. Which only makes sense, since if anything could open a door, a chariot could. In the '50s Williams literally left the group behind. He had an opportunity to present a vocal group on the television program Sid Caesar's Your Show of Shows, but the producers insisted the the Charioteers were too old and demanded Williams hitch up a more modern form of musical transportation. The Billy Williams Quartet was thus launched, and the Charioteers ground on with new lead singer Herbert Dickerson. There were no more hits, and a steadily diminishing presence on-stage until the group called it quits in 1957. Williams, who was the first live guest on the American Bandstand show, died in Chicago in the early '70s.

Top álbumes

Top canciones