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All Tomorrow's Parties

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As she spiraled deeper into addiction, fans of the troubled German chanteuse continued to collect her work because they could always count on a few good performances cutting through the rest. This 2003 compilation plays as though those very fans culled the cream of her late harvests to build a patchwork of Nico’s better moments. All Tomorrow’s Parties curiously contains three title tracks. The opening version was recorded live in Tokyo in 1986 with an unknown band that sounds like it studied The Velvet Underground right down to its vintage instruments and nod-out timing. The second version features an extended psychedelic jam that stretches the song to nearly twice its length, while the third version is a remix by Norwegian industrial band Apoptygma Bezerk (which actually sounds more inspired by early-'90s Madchester than anything from the industrial canon). The seven-inch version of “Saeta” and “Vegas” are worth the price of admission, as is her Moog-heavy account of “The End.”


Born: 16 October 1938 in Cologne, Germany

Genre: Rock

Years Active: '60s, '70s, '80s

One of the most fascinating figures of rock's fringes, Nico hobnobbed, worked, and was romantically linked with an incredible assortment of the most legendary entertainers of the '60s. The paradox of her career was that she herself never attained the fame of her peers, pursuing a distinctly individualistic and uncompromising musical career that was uncommercial, but wholly admirable and influential. Nico first rose to fame as a European supermodel, also landing a bit part in Fellini's La Dolce Vita...
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All Tomorrow's Parties, Nico
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