13 Songs, 42 Minutes

EDITORS’ NOTES

The berserk sophomore album from The Birthday Party lurches between post-punk and gothic rock, with tribal percussion and theatrical pomp throughout. Nick Cave's guttural shouts and spooky drones unite tracks with free jazz and unhinged punk noise ("Figure of Fun"), squirrelly rockabilly guitar and Williams Burroughs-esque poetry ("Dead Song"), and a demented musical theater full of frantic saxophones and fractured rhythms ("Zoo Music Girl"). Rife with seasick tempos and depraved vocal themes, this album is surprisingly fun, full of campy twists and wild ideas.

EDITORS’ NOTES

The berserk sophomore album from The Birthday Party lurches between post-punk and gothic rock, with tribal percussion and theatrical pomp throughout. Nick Cave's guttural shouts and spooky drones unite tracks with free jazz and unhinged punk noise ("Figure of Fun"), squirrelly rockabilly guitar and Williams Burroughs-esque poetry ("Dead Song"), and a demented musical theater full of frantic saxophones and fractured rhythms ("Zoo Music Girl"). Rife with seasick tempos and depraved vocal themes, this album is surprisingly fun, full of campy twists and wild ideas.

TITLE TIME

About The Birthday Party

The Birthday Party were one of the darkest and most challenging post-punk groups to emerge in the early '80s, creating bleak and noisy soundscapes that provided the perfect setting for vocalist Nick Cave's difficult, disturbing stories of religion, violence, and perversity. Under the direction of Cave and guitarist Rowland S. Howard, the band tore through reams of blues and rockabilly licks, spitting out hellacious feedback and noise at an unrelenting pace. As the Birthday Party's career progressed, Cave's vision got darker and the band's songs alternated between dirges to blistering sonic assaults.

Originally, the Australian band was called the Boys Next Door, comprising Cave, Howard, Mick Harvey (guitar, drums, organ, piano), bassist Tracy Pew, and drummer Phill Calvert. After the Door Door album and Hee Haw EP under that name, the band moved to London and switched its name to the deceptively benign Birthday Party. Once they arrived in Britain, their demented, knotty post-punk began to gel. They released their first international album, Prayers on Fire, in 1981, earning critical praise in the U.K. and U.S. While the band was preparing to record the follow-up, Pew was jailed for drunk driving; former Magazine member Barry Adamson, Harry Howard, and Chris Walsh filled in for the absent Pew on 1982's Junkyard.

After the release of Junkyard, the Birthday Party fired Calvert and moved to Germany, where they began collaborating with such experimental post-punk acts like Lydia Lunch and Einstürzende Neubauten. Harvey left in the summer of 1983. The group briefly continued with drummer Des Heffner, but it soon disbanded after a final concert in Melbourne, Australia. Cave had the most successful solo career, recording a series of albums in the '80s and '90s that maintained his status as a popular cult figure; Harvey joined Cave's backing band, the Bad Seeds. Howard joined Crime & the City Solution, which also featured his brother Harry and Harvey. ~ Stephen Thomas Erlewine

ORIGIN
Melbourne, Australia
FORMED
1977

Songs

Albums

Listeners Also Played