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Days of Delay

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Album Review

The Portland, OR-based trio of Tim Perry, Emil Snizeck, and Joe Kelly specializes in a slow, almost dreamy brand of guitar rock that sounds rustic but really isn't, and that sometimes sounds world-weary but isn't really that either, and that might occasionally fool you into thinking it's ironic, but very definitely isn't that. True, their songs tend to kind of plod along, and they tend to address fairly dire topics in their lyrics without sounding awfully concerned about them (sample couplet: "The very last thing I remember was this/Standing on the surface of a hollow abyss"). But don't be fooled into thinking that this is some kind of shoegazer Americana band. Listen to the subtle but definite swing with which they deliver "Run Rebel" and, even better, the startlingly choral vocal harmonies on "Hazardous Movements." "Love and Logic" doesn't really go anywhere either musically or lyrically ("I had to see some things/In order to understand/That there are just some things/I never ever want to see again") and one or two others are similarly lacking in substance below the surface, but overall this is an impressive debut.


Formed: 2001 in Portland, OR

Genre: Rock

Years Active: '00s

A baroque chamber pop band pitched somewhere between the elegant tweeness of Belle & Sebastian and the rustic neo-psychedelia of Mercury Rev, Pseudosix makes a virtue of variety. So much so, in fact, that that's only a description of their second album, their debut being considerably sparser and noisier. The sole constant of Pseudosix is singer, songwriter, and multi-instrumentalist Tim Perry, the band's only permanent member. Perry formed the band as a solo project in 2001, at first performing solo...
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Days of Delay, Pseudosix
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