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Blue Sun

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Album Review

A fine album by this trumpeter better known for film scores and Windham Hill new age electronics than for jazz. However, on this outing, Mark Isham struts his jazz stuff. Although the instrumentation includes electric bass, occasional electric piano, and a sprinkling of atmospheric electronics, the feel here is of an acoustic recording of the cool jazz school. Isham's quintet includes Steve Tavaglione on tenor saxophone and David Goldblatt on piano, both of whom inform this music with elegance and grace. Isham himself has never sounded better on record, recalling the Miles Davis of the '50s at times, and the rhythm section of drummer Kurt Wortman and bassist Doug Lunn keeps the music moving at a relaxed pace. Isham's work in his Windham Hill days was, while interesting, easily identifiable and properly classified in the new age bin. Here, he has moved in a new, classy direction, proving he can write and perform well-crafted music of substance.


Born: 07 September 1951 in New York, NY

Genre: Soundtrack

Years Active: '70s, '80s, '90s, '00s, '10s

Trumpeter/synth programmer Mark Isham was not only an important part of the Windham Hill stable, but also a successful and versatile composer for film and television, garnering equal acclaim for both his new age and soundtrack work. Born September 7, 1951, to a musical family in New York, Isham began studying classical music (specifically trumpet, piano, and violin) as a child. His family later moved to San Francisco, where Isham played with several local orchestras. However, he was also interested...
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