17 Songs

EDITORS’ NOTES

Consisting of a London gig from 1981, a German show from 1982, and a version of The Stooges' "Funhouse" performed in Greece in 1982, Live 1981-82 is a definitive live album from a band that got even crazier in front of an audience. Considering the chaos found on The Birthday Party's studio albums, that's quite an endorsement. Singer Nick Cave may approach his job with the fervor of a Pentecostal preacher, but drummer Phil Calvert and bassist Tracey Pew represent the musical equivalents. The sonic clarity means "The Dim Locator," "Zoo Music Girl," and "Release the Bats" have never sounded better. "Dead Joe" grinds the notes into tiny pieces with a brutal, unflinching attack. It's impossible to convey the true power and anarchy present here. Few bands have ever attempted such freeform attacks on their instruments, their songs, and their performances. Guitarist Mick Harvey takes over on drums on the final tunes, including the long tortured wail of "She's Hit" and the groveling intensity of the muddily recorded "Funhouse." It's even more essential than The Birthday Party's studio releases.

EDITORS’ NOTES

Consisting of a London gig from 1981, a German show from 1982, and a version of The Stooges' "Funhouse" performed in Greece in 1982, Live 1981-82 is a definitive live album from a band that got even crazier in front of an audience. Considering the chaos found on The Birthday Party's studio albums, that's quite an endorsement. Singer Nick Cave may approach his job with the fervor of a Pentecostal preacher, but drummer Phil Calvert and bassist Tracey Pew represent the musical equivalents. The sonic clarity means "The Dim Locator," "Zoo Music Girl," and "Release the Bats" have never sounded better. "Dead Joe" grinds the notes into tiny pieces with a brutal, unflinching attack. It's impossible to convey the true power and anarchy present here. Few bands have ever attempted such freeform attacks on their instruments, their songs, and their performances. Guitarist Mick Harvey takes over on drums on the final tunes, including the long tortured wail of "She's Hit" and the groveling intensity of the muddily recorded "Funhouse." It's even more essential than The Birthday Party's studio releases.

TITLE TIME
6:26
2:41
3:09
3:05
4:08
2:39
3:05
3:04
5:53
2:47
3:33
3:47
5:02
3:41
5:11
7:11
8:29

About The Birthday Party

The Birthday Party were one of the darkest and most challenging post-punk groups to emerge in the early '80s, creating bleak and noisy soundscapes that provided the perfect setting for vocalist Nick Cave's difficult, disturbing stories of religion, violence, and perversity. Under the direction of Cave and guitarist Rowland S. Howard, the band tore through reams of blues and rockabilly licks, spitting out hellacious feedback and noise at an unrelenting pace. As the Birthday Party's career progressed, Cave's vision got darker and the band's songs alternated between dirges to blistering sonic assaults.

Originally, the Australian band was called the Boys Next Door, comprising Cave, Howard, Mick Harvey (guitar, drums, organ, piano), bassist Tracy Pew, and drummer Phill Calvert. After the Door Door album and Hee Haw EP under that name, the band moved to London and switched its name to the deceptively benign Birthday Party. Once they arrived in Britain, their demented, knotty post-punk began to gel. They released their first international album, Prayers on Fire, in 1981, earning critical praise in the U.K. and U.S. While the band was preparing to record the follow-up, Pew was jailed for drunk driving; former Magazine member Barry Adamson, Harry Howard, and Chris Walsh filled in for the absent Pew on 1982's Junkyard.

After the release of Junkyard, the Birthday Party fired Calvert and moved to Germany, where they began collaborating with such experimental post-punk acts like Lydia Lunch and Einstürzende Neubauten. Harvey left in the summer of 1983. The group briefly continued with drummer Des Heffner, but it soon disbanded after a final concert in Melbourne, Australia. Cave had the most successful solo career, recording a series of albums in the '80s and '90s that maintained his status as a popular cult figure; Harvey joined Cave's backing band, the Bad Seeds. Howard joined Crime & the City Solution, which also featured his brother Harry and Harvey. ~ Stephen Thomas Erlewine

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