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Album Review

With the death of John Carter, there are so few outstanding jazz clarinetists that Canadian François Houle's startlingly original voice is revelatory. The clarinetist's influences are varied, drawing on new classical music and the entire jazz tradition. Here, he plays in tandem with Benoit Delbecq, who joins his colleague on piano (which in some cases is preprogrammed). Most of the music is improvised, and much of it is surprisingly slow and wistful. Several of the tracks are dedications, giving an idea of their direction: for example, "Rhizome I (For Guillermo Gregorio)," "Rhizome III (For Joëlle Léandre)," and "Rhizome IV (For Arnold Schoenberg)." There is often a chamber feel, particularly from Delbecq, while Houle's extended technique infuses the recording with unusual twists.

Biography

Born: 1966 in Paris, France

Genre: Jazz

Years Active: '90s, '00s

Jazz and contemporary classical-trained pianist Benoît Delbecq helped revitalize Paris' new music scene in the 1990s. He is a founding member of numerous groups including Painting (his quartet with Steve Argüelles), the Hask Collective (since 1992), Kartet, and the Recyclers (with Argüelles and Noël Akchoté). Delbecq has also performed in two groups led by Serge Adams: the Quoi de Neuf Docteur, a big band, and the African-influenced jazz project which toured central Africa, Jazz Mic Mac. Delbecq...
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Nancali, Benoît Delbecq
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