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The Olatunji Concert: The Last Live Recording

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Album Review

Since most (if not all) of the master tapes from legit Impulse! recording sessions have been released, the label continued on with a "digging in the crates" approach to expanding their John Coltrane catalog. Subsequently, they came across this recording that 'Trane arranged to record without the assistance (or interference) of Impulse!. Olatunji Concert: The Last Live Recording documents a live performance on April 23, 1967, one of the last times Coltrane would appear on stage, as he passed three months later. Strictly as a document, this is a rich and telling recording. It demonstrates his sonic blast free jazz direction that was becoming more aggressive and out of bounds; It portrays what could have been one of the most dynamically stellar groups of the mid-1960s avant jazz scene with Pharoah Sanders (who, in some ways, steals the show), Alice Coltrane, Rashied Ali, and Jimmy Garrison totally ripping it up; it also gives the average collector a taste of what the maniacal collector goes out of their way to find, as the sound quality is on the level of a sub-par bootleg. Don't expect to hear Bob Theil's warm production or one of Rudy Van Gelder's pristine live recordings á la Live at the Village Vanguard. Instead the equalization is uneven, and there are some parts where the tape drops out. Besides that though, this is essential for seasoned Coltrane listeners .


Born: 23 September 1926 in Hamlet, NC

Genre: Jazz

Years Active: '40s, '50s, '60s

Despite a relatively brief career (he first came to notice as a sideman at age 29 in 1955, formally launched a solo career at 33 in 1960, and was dead at 40 in 1967), saxophonist John Coltrane was among the most important, and most controversial, figures in jazz. It seems amazing that his period of greatest activity was so short, not only because he recorded prolifically, but also because, taking advantage of his fame, the record companies that recorded him as a sideman in the 1950s frequently reissued...
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