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Redemption

Useless ID

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Album Review

Despite being one of the few Israeli punk outfits to break into markets like the U.S. and Japan, Haifa's Useless ID are no mere anomaly. With a heavy influx of pop — not dissimilar to blink-182, the Ataris, and No Use for a Name — the band aligns with Descendents founder Bill Stevenson at his Fort Collins mecca, The Blasting Room, for Redemption, one of 2005's most palatable examples of the subgenre. Considering the Descendents connection (they have a percolating number called "Drinkage" for crying out loud), it's rather fitting that hooks, chicks, and beer play so heavily. The melancholy tease of "It's Alright" soon gives way to more powerful, inventive numbers like "Suffer for the Fame" — which smacks of All's more progressive punk approach — and the Millencolin-like "State of Fear." Still, it's the contagious, albeit somewhat innocuous, "Turn Up the Stereo" and "Dying Love" that advocate Useless ID's hit potential. ~ John D. Luerssen, Rovi

Biography

Formed: 1994 in Haifa, Israel

Genre: Alternative

Years Active: '90s, '00s, '10s

Formed in Haifa, Israel, in 1994, Useless ID is one of the few Israeli punk bands to experience major success in the States. The group started out with a pair of independently released albums and then toured extensively for the next five years, taking six trips in all to North America. In 1999, they got their first big break, when the Ataris' frontman Kris Roe invited them to record a split record for Kung Fu Records. That label released Useless ID's next three albums, 2001's Bad Story Happy Ending,...
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Redemption, Useless ID
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