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Album Review

Much like their previous collaboration, Rain, 1996's The Spell combines the electronic talents of Kevin Braheny & Tim Clark in an exploration of musical and emotional concepts. This time around, the duo focused on magic and illusion, creating eight pieces that feature Braheny's emotive, haunting Steiner EWI tones and Clark's percussive arrangements. The Arabian-inspired "A Perfect Evening for Flying Carpets" has a hypnotic, trance-like effect, while "The Spell" lends a seductive note to the album. Intricate compositions like "Time in the Mirror" and "Sorcerer's Parade" reflect different aspects of mystery and illusion, engaging the listener's imagination. The clear, spacious sound of the duo's binaural recording techniques add another dimension to The Spell's charm. With this album, Clark and Braheny cement the magic of their creative partnership.


Genre: New Age

Years Active: '70s, '80s, '90s

Multi-instrumentalist/composer Kevin Braheny began exploring music at age four, starting with the piano; by age seven, he began composing his own music. He discovered woodwinds, the basis for his mature works, at 11, and played in classical, jazz, and rock settings throughout high school and college. When he moved to Los Angeles in 1971, Braheny discovered electronic music and synthesizers, and worked with electronic music pioneers like Malcom Cecil, a Moog synthesist, and Serge Tcherepnin, a modular...
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The Spell, Kevin Braheny
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