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Here Comes Tomorrow

Ursula 1000

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Album Review

When it comes to funky kitsch electronica, the line between charming and cloying is a very, very thin one. It's a mark of Alex Gimeno's genius that he's able to negotiate that line with such consistently good (if not always absolutely perfect) judgment. His third album continues his exploration of vintage rock and disco sounds, Latin dance music, early electronica, psychedelic goofiness, and ethnic exotica. Every track teeters precariously on the brink of precious over-cuteness, but none of them actually falls over, and the tension of waiting for that to happen only adds to the fun. The best thing about the album, though, is its incredible variety of sounds. You've got your T. Rex tribute (on the stomping "Hello! Let's Go to a Disco," featuring Dougie Dimensional from the Gentle People), your Austin Powers-on-ecstasy go-go workout ("Kaboom!"), your blues-mambo-bhangra mash-up ("Got Cha"), your token pseudo-mystical Indian track ("Ragnarock"), your organ-based weirdo funk ("Mirkin the Mystic"), your straight-up old-school electro-funk ("Electrik Boogie"), and even a celebration of the 2 Tone ska revival ("Two Tone Rocka"). And bongos, baby — lots of bongos. Recommended.

Biography

Genre: Electronic

Years Active: '90s, '00s, '10s

Ursula 1000 is a stylish American producer, multi-instrumentalist, and DJ who creates sampladelic easy listening breakbeat tracks in a style similar to continental popsters from Pizzicato Five to Dimitri from Paris. Born Alex Gimeno, he was raised in Miami, where he studied commercial art and owned an underground comic-book store before joining the local band 23 as a drummer. Absorbed partially through his enormous record collection, Gimeno soon fused his fanatical love of music and pop culture to...
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Here Comes Tomorrow, Ursula 1000
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