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Beyond Denial

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Album Review

With their first album, Beyond Denial, Axiom of Choice offers up a revision of Persian classical music more accessible to ears attuned to Western pop, folk and soundtrack music. Along with standard Persian instruments like the tar and tombak (and the Kurdish daf), the group features synthesized bass and two Western acoustic guitars, one rigged with extra frets so that it can play the quartertones of Persian scales.

The centerpiece of the album is "Desert Storm," a 13-minute song expressing the anguish of the Gulf War. Mamak Khadem sings her wordless ululations over much of the track, and Shahram Hashemi's tar offers an anxious and angry solo, both backed by the locomotive sounds of Pejman Hadadi's daf. It's a powerful piece, rather reminiscent of Hossein Alizadeh's Song of Compassion, but the power is spread out, and one must be patient for its arrival. While a few other pieces are somewhat interesting ("Whisper" actually sounds like Dead Can Dance), most of the tracks are unfortunately just exercises for the quartertone guitarist or the vocalist — Persian jam sessions, as it were. The group has a hold on a powerful concept; let's hope they can develop it further.

Biography

Genre: World

Years Active: '90s, '00s

The melodies and rhythms of Persia's Radif tradition are combined with Western sensibilities by Southern California-based band Axiom of Choice. Led by Persia-born nylon-string classical guitar, quarter-tone guitar, and tarbass player and musical director Loga Ramin Torkian, the septet has continued to incorporate a global range of influences into its unique sound. Formed in the United States, Axiom of Choice remains rooted in the musical heritage of Torkian and fellow Persian émigrés Mamak Khadem...
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Beyond Denial, Axiom of Choice
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