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Le Feu Du Tigre

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Album Review

This first release by the Volapuk trio finds the group in top form. These guys are pros, after all, with drummer and leader Guigou Chenevier already a Rock in Opposition veteran with numerous recordings as a member of Etron Fou Leloublan, and the two other group members, Guillaume Aurel on cello and Michel Mandel on bass clarinet, both with substantial classical training and performance experience. The name "Volapuk" references an early attempt at a universal language, actually predating Esperanto by 50 years. Just as Volapuk (the language) draws from English, German, Latin, French, and Italian sources, Volapuk (the group) integrates popular and folk music of various European cultures. However, this CD is transitional, in that it displays a strong art rock and classical influence at times, as well as a substantial jazz element, especially in Mandel's clarinet work. Pieces like "El Sombrero," for example, are very much in the Rock in Opposition mold, with tricky time signatures, repetitive riffs, and the eventual appearance of Mandel's earthy clarinet, wailing over the top. Later CDs by the group will display a greater ethnic content, and perhaps a more natural integration of musical elements, but this is nonetheless a dynamic and confident recording, anchored by Chenevier's inventive and propulsive drumming.


Formed: 1993

Genre: Rock

Years Active: '90s, '00s

Formed in Southern France in 1993, Volapük were initially a trio of drums, bass clarinet, and cello. The trio members used their instruments in expanded roles, creating unusual tonal colors; their music blended ensemble play, jazz, and chamber music with a solid rock underpinning. In 1973 Volapük's percussionist, Guigou Chenevier, had been a founder of Etron Fou Leloublan, a band that (along with other groups including Henry Cow, Univers Zero, Stormy Six, and Samla Mammas Manna) became a charter...
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Le Feu Du Tigre, Volapük
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