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Welcome to Love

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Album Review

When this was first released, the slow, straight sounds of Pharoah Sanders on a series of mostly famous ballads came as a bit of a surprise to some. Others saw Sanders as following the road of his mentor, John Coltrane, who had recorded most of these tunes himself. In retrospect, the inside playing of Sanders is less of a surprise, the saxophonist having followed that path regularly since at least the '80s. This performance has held up well through the years, and while the thin, reserved approach is reminiscent of Coltrane, it is still marked with Pharoah's print. The competent and thoroughly professional rhythm section of pianist William Henderson, bassist Stafford James, and drummer Eccleston W. Wainwright takes a decidedly reserved cue from the saxophonist, but each song is infused with a subtle emotional quality that simply does not let go.

Biography

Born: 13 October 1940 in Little Rock, AR

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s

Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz. Harmonically rich and heavy with overtones, Sanders' sound can be as raw and abrasive as it is possible for a saxophonist to produce. Yet, Sanders is highly regarded to the point of reverence by a great many jazz fans. Although he made his name with expressionistic, nearly anarchic free jazz in John Coltrane's late ensembles of the mid-'60s, Sanders' later music is guided by more graceful concerns. In the free-time,...
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