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You Had It Coming

Jeff Beck

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Album Review

Jeff Beck returns two years after the ten-years-in-the-making Who Else?, and You Had It Coming isn't surprising just for its rapidity, but for its music. From the moment the electronicized, post-rave beats of "Earthquake" kick off the record, it's clear that Beck isn't content to stay in place — he's trying to adapt to the modern world. To a certain extent, this isn't an entirely new phenomenon, since each of his records is clearly, inextricably of its time, from the crunching metal of Truth through the breezy jazz fusion of Blow By Blow to the modernized album rock of Guitar Shop. This is just another side of that, as Beck works with electronic music, both noisy and new age introspective. It's a bit clever, actually, since Beck's playing has always been otherworldly, dipping, bending, and sounding like anything other than a normal guitar. The problem is, when he's surrounded by lockstep, processed beats and gurgling synths, his guitar doesn't leap to the forefront and capture attention the way it does on his best recordings. Still, there's something to be said for the effort, because even if it doesn't sound like a Beck record, it isn't a bad record, and it's certainly a helluva lot more successful than Clapton's similar forays into these waters. Besides, knowing that he knocked this out so quickly makes it a little endearing.

Biography

Born: 24 June 1944 in Wallington, Surrey, England

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

While he was as innovative as Jimmy Page, as tasteful as Eric Clapton, and nearly as visionary as Jimi Hendrix, Jeff Beck never achieved the same commercial success as any of those contemporaries, primarily because of the haphazard way he approached his career. After Rod Stewart left the Jeff Beck Group in 1971, Beck never worked with a charismatic lead singer who could have helped sell his music to a wide audience. Furthermore, he was simply too idiosyncratic, moving from heavy metal to jazz fusion...
Full bio