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Come Around Sundown

Kings of Leon

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Album Review

While few of the songs on Come Around Sundown are as blatantly commercial as Only by the Night's “Use Somebody,” the track list is still filled with super-sized, guitar-driven, modern rock pomp. Kings of Leon are acutely aware that loud, booming anthems are the best way to fill a stadium, and Come Around Sundown is engineered to sound as immense as possible. Nowhere is this more evident than in Caleb Followill’s choruses, which emphasize sustained high notes, and Matthew Followill’s guitar lines, which split their time between moody textures and cyclic, reverb-heavy riffs. The few diversions from that template are some of the album’s best moments, but “Use Somebody” has become the band's benchmark, and most of this album is in that same commercial vein.

Customer Reviews

Come Around Sundown

Well done lads, Another brilliant album... Keep them coming!!

Incredible

Another masterpiece from the Followill brothers. Every song is a new experience in both vocal and musical sounds. Greatest band of the last 30 years and the quality hasn't slipped yet.

theyve done it again!!!

the haters will hate and the lovers will love...from beginning till the end...THE KINGS ARE THE ONE!!!....they couldnt of mixed theyre old raw sound with modern rock any better!...whole albums great if i had to pick though - pyro/mary/immortals/no money/pony up/mi amigo/pick up truck

Biography

Formed: 2000 in Nashville, TN

Genre: Alternative

Years Active: '00s, '10s

Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. The Tennessee-bred quartet debuted in 2003 with the Holy Roller Novocaine EP, whose blend of raw, unpolished boogie rock was further explored on their debut full-length, Youth & Young Manhood. Such revivalist music was matched by a similarly revivalist appearance — including long...
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Come Around Sundown, Kings of Leon
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