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Album Review

Inzombia takes Slant 6's trademark style — fierce guitar work somewhere between new wave bubblepunk and the lighter side of D.C. hardcore — and gives it a chance to work as an album (Soda Pop Rip Off, the band's other full release, is more of a collection of separate recordings). Given this, and the album's horror B-movie theme, it ends up with far more texture and depth than the band's more single-oriented work, and this is definitely a good thing for them. The song-oriented rockers are still there ("Partner in Crime," "Babydoll"), but they're set into place by tracks like the goofy "Retro Duck," the surfy "Instrumental,") and the sparse "Click-Click," making the album better as a total listening experience. The trade-off is that there isn't as much material there as on Soda Pop Rip Off. It's also interesting to hear their sound — Christina Billote's all-downstroke guitar and sly vocals — as prefiguring that of bands like Sleater-Kinney, who created such a buzz a few years later.


Genre: Rock

Years Active: '90s, '00s

Taking their name from a Dodge engine, Slant 6 emerged on the Washington DC scene in the summer of 1992. Made up of Myra Power (Lucky 13), Christina Billotte (Autoclave), and Marge Marshall, they went into the studio and produced a three song single for Dischord in 1993, and toured the U.S. for much of that year. Their first album, Soda Pop Rip Off, was recorded in Washington DC, and was produced by longtime Dischord mainstay Don Zientara and Fugazi guitarist Ian MacKaye. A second album, Inzombia,...
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Inzombia, Slant 6
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