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Recovering the Satellites

Counting Crows

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Album Review

For their second album, Recovering the Satellites, Counting Crows crafted a self-consciously challenging response to their unexpected success. Throughout the record, Adam Duritz contemplates his loss of privacy and sudden change of fortunes, among other angst-ridden subjects. In one sense, it's no different from the subjects that dominated August and Everything After, yet his outlook is lacking the muted joy that made "Mr. Jones" into a hit. Similarly, the music is slightly more somber, yet the approach is harder and more direct, which gives even the ballads a more affecting, visceral feel. Recovering the Satellites occasionally bogs down in its own pretentiousness — for a roots rock band, the group certainly has a lot of artsy goals — yet when they scale back their ambitions to simple folk-rock, such as on the single "A Long December," they are at their most articulate.

Biography

Formed: August, 1991 in San Francisco, CA

Genre: Rock

Years Active: '90s, '00s, '10s

With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock & Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded its debut album, August and Everything After, with T-Bone Burnett. Released in the fall, it was a dark and somber record, driven by the morose...
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