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All Night Long

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Recensione album

Shirley Horn chose to leave her jazz career during a good part of the '60s and '70s to raise her family, returning to record an album for Steeplechase in 1978. But 1981 marked a significant increase in her output, recording over several days at the Northsea Jazz Festival and producing two CDs from these performances, some of which are heard on All Night Long. Backed by electric bassist Charles Ables (who would remain with her until his death in 2001) and drummer Billy Hart, Horn captivates her audience with her intimate piano playing and understated yet infectious vocals. She works slowly into sparse arrangements of "Someone Like That in Your Life" and "Good for Nothing Joe," hushing the crowd. She makes the most of the bluesy, whimsical "Git Rid of Monday," an overlooked gem by Jimmy Van Heusen and Johnny Burke. Of course, there are plenty of delightful performances of standards like "If I Had You" and "You'd Be So Nice to Come Home To," in addition to thoughtful interpretations of a pair of bossa novas by Antonio Carlos Jobim.

Biografie

Nato(a): 01 maggio 1934, Washington D.C.

Genere: Jazz

Anni di attività: '60s, '70s, '80s, '90s, '00s

A superior ballad singer and a talented pianist, Shirley Horn put off potential success until finally becoming a major attraction while in her fifties. She studied piano from the age of four. After attending Howard University, Horn put together her first trio in 1954, and was encouraged in the early '60s by Miles Davis and Quincy Jones. She recorded three albums during 1963-1965 for Mercury and ABC/Paramount, but chose to stick around Washington, D.C., and raise a family instead of pursuing her career....
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All Night Long, Shirley Horn
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