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Recensione album

Betty Wright: The Movie is this Miami soul legend’s first album since 2001’s Fit for a King, but it’s hardly a return. During Wright’s decade away from making her own records, she was busy helping others — including Kelly Clarkson, Joss Stone, Diddy, Keyshia Cole, and Lil Wayne — as a songwriter, arranger, producer, and background vocalist. Here, she links up with the intrepid Roots crew and several supplemental session musicians, and she wrangles complementary appearances from Stone and the tremendously underappreciated Lenny Williams, as well as disruptive interjections from Lil Wayne and Snoop Dogg. Most of the songs were either written or co-written by Angelo Morris, who has been collaborating with Wright since the late ‘80s. It’s Wright’s best-sounding album since her self-titled 1981 release for Epic, with her backing band emulating vintage soul one moment and switching it up for more modern (and wholly appropriate) sounds the next. Wright sounds terrific, navigating through the upbeat, attitudinal jams and slower, romantic cuts with finesse and strength.

Biografia

Nato(a): 21 dicembre 1953, Miami, FL

Genere: R&B/Soul

Anni di attività: '50s, '60s, '70s, '80s, '90s, '00s, '10s

Singer Betty Wright proved to be a consistently strong presence on the Miami music scene, primarily in the '70s and '80s, although she continued to record through the 2010s. Born on December 21, 1953, in Miami, Florida, Wright began her singing career early on as a member of her family's gospel group, the Echoes of Joy. By the age of 13, she had begun appearing on other artists' recordings as a backup singer and, shortly thereafter, began her solo career. In 1968, she scored a a Top 40 with "Girls...
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The Movie, Betty Wright
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