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Victoria Spivey Vol. 3 1929-1936

Victoria Spivey

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Recensione album

Victoria Spivey's ability to evolve with the times and often reinvent her style can be heard throughout the third of four CDs in Document's reissuance of her prewar recordings. She is heard singing classic blues on four numbers with an all-star group drawn from Luis Russell's Orchestra (including trumpeter Red Allen and trombonist J.C. Higginbotham) and on four other songs in which she is just backed by pianist Russell and guitarist Will Johnson. She investigates double entendre blues with the assistance of pianist/vocalist Porter Grainger and (for the two-part "Mama's Quittin' and Leavin'") with guitarist/singer Funny Paper Smith. For a 1931 date, Spivey does her take on hokum (particularly on "He Wants Too Much") with the help of pianist Georgia Tom Dorsey and guitarist Tampa Red. And on "Dreaming 'Bout My Man" she is backed by the pre-swing big band Hunter's Serenaders. This volume concludes by jumping ahead five years and featuring Spivey singing quite confidently with a first-rate Chicago-based swing band (including "Black Snake Swing"). Although not quite as essential as the first two volumes in this series, this set (and Vol. 4) is also easily recommended.

Biografie

Nato(a): 15 ottobre 1906, Houston, TX

Genere: Blues

Anni di attività: '30s, '40s, '50s

Victoria Spivey was one of the more influential blues women simply because she was around long enough to influence legions of younger women and men who rediscovered blues music during the mid-'60s U.S. blues revival, which had been brought about by British blues bands as well as their American counterparts, like Paul Butterfield and Elvin Bishop. Spivey could...
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Victoria Spivey Vol. 3 1929-1936, Victoria Spivey
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