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Recensione album

Veteran pianist Tommy Flanagan, in a quartet with guitarist Kenny Burrell, bassist George Mraz and drummer Lewis Nash, performs blues, ballads and some obscurities during one of his most rewarding recordings. Flanagan has never recorded an indifferent album, but this set seems more inspired than most, making it a perfect introduction to this tasteful, swinging and creative (within the bop mainstream) pianist.

Biografie

Nato(a): 16 marzo 1930, Detroit, MI

Genere: Jazz

Anni di attività: '40s, '50s, '60s, '70s, '80s, '90s

Known for his flawless and tasteful playing, Tommy Flanagan received long overdue recognition for his talents in the 1980s. He played clarinet when he was six and switched to piano five years later. Flanagan was an important part of the fertile Detroit jazz scene (other than 1951-1953 when he was in the Army) until he moved to New York in 1956. He was used for many recordings after his arrival during that era; cut sessions as a leader for New Jazz, Prestige, Savoy, and Moodsville; and worked regularly...
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Beyond the Bluebird, Tommy Flanagan Trio
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